Monthly Archives: September 2013

Blog on Blog

Apologies to anyone reading this blog which has all the accumulated sludge of a word that rhymes with bog.

Today I hate writing. I hate being as writer. It has ruined my life. I would be anything else, if I could.

I’ve always had little time for writing that puts such frustration on the page without adding some perspective…unprocessed purging that makes no effort to turn shit into gold.

But…yes. Here I am doing just that.

I’ve been wrestling with the idea of what a blog should be. I like the idea that it’s a place to write without the pressures of fiction, that it is much like my journals where I can write without a care to any eye other than mine where syntax and spelling and penmanship simply don’t matter. But I find it hard not to think that this is being written for people other than myself, so that a level of self-consciousness is necessary…even the most natural writer or actor is aware of an audience.

But does this need to be an ongoing narrative or just an assortment of pieces? A novel or a collection of short stories, if you will?

It’s just writing. Aimed at creating more writing. Instead of looking at it as if it was leaking precious resource from a finite container, it is a process that creates a momentum…the more you take from the container the more there is to take.

And it worked. The more blogs I wrote the more fiction I worked on. To the point that I had more pieces submitted for publication than I have in a couple of years.

I always liked to have 4 to 6 pieces out at any one time. It strengthens my skin against the inevitable rejections (which are all part of the game). But more importantly it makes me feel less sensitive to the coldness of the universe.

So, this wee spurt helped me get 5 pieces out to publishers in NZ and around the world, and that made me very happy.

Of course, the problem with hitching your self-esteem to a particular star is that when the star fades, or crashes to earth, then so does your self-esteem.

And so this morning the third of the rejections came, all the way from Ireland.

And I’m grumpier and more despondent than I have a right to be. They don’t have to like the story. I know it’s good. It just has to find the right publisher.

I’m meant to be spending the weekend putting a novel proposal together. I have two ideas which seem worth pursuing but today I only seem capable of finding shit amongst the shit. Where is the gold I lovingly crafted?

I’m starting to think that I should write only for myself. That if I am to be deluded as to the worth of my craft then best to stay self-deluded and keep it all to myself.

I need to write. I must write.

No one needs to read it.

Time to go out into the wild weather and escape the stultifying requirements of ego.

Doing Time

I can’t say I’ve ever liked porridge. I probably should. I have a good Scots name, I grew up surrounded by my mother’s Scottish family, have pasty white skin and freckles, ginger flecks in my hair and beard, I like the pipes, have a fondness for a wee dram every now and then, but even though I always think it should taste nice, it’s just not the case.

OLYMPUS DIGITAL CAMERA

Many times over the years I’ve tried to eat it with the enthusiasm friends and family do, but I never could get it into my mouth, that is until last year.

I can date my distaste for the smell and thought of porridge back to a few days I spent in hospital 40 years ago. I’m not sure exactly how many mornings porridge was served up to me during my stay in Burwood Hospital in 1972 but I would guess at least three, maybe four. I was in for a minor operation but back in those days you stayed in a lot longer than you do now.

It felt special being there. I remember going to the little classroom and playing with other kids on two occasions but then not going on other days and feeling ripped off.

As a just-turned 5 year-old I was quite excited by the whole thing and in no way scared. I had two big colouring-in books and a pack of crayons bought especially for the occasion so that I wouldn’t get bored in my two-bed room (I was alone except for one day when there was a girl in with me).

One of my favourite memories is the young nurses who sat on my bed and coloured in the pictures with me. This was a level of care probably not possible now given that nurses spend all their time administering drugs and cleaning up human mess rather than doing any actual nursing.

I also distinctly remember the injections in the bum. That wasn’t fun.

The ride down to surgery was very exciting and I clearly recall the anaesthetist telling me to count backwards from ten, how I thought that was silly, and that I only made it to six before I went la-la.

I woke that night and wandered the dark, empty wards looking for Mum. I remember the distress and loneliness; it was like a nightmare but real. Now I know she had been there but I had slept longer than expected and they had decided to let me rest.

I don’t blame any of this for my distaste for porridge. I can’t really blame the hospital food either as I gobbled the rest of it up without any concern. There was just something in that smell that has stayed with me: it turned my stomach. And if that’s all I took from my time in hospital, then that’s fine (I also got a nifty 3-inch scar as well as an annoying habit of never being able to say what the operation was for whenever I need to fill out a medical form).

But now I have a 5 year-old daughter who quite likes porridge and I blame my mother.

When she came to visit two years ago she had just had a stent put in her bowel and had to eat a fine porridge in the morning to ‘keep things going’ without blocking it. Fine. There was nothing lovelier than seeing my then 3 year-old help her Gran E. make porridge and then sit at the table together cleaning their bowls.

It was the week Wellington was hit by a once-in-lifetime snowfall which hung around day after day so porridge was just the trick.

As sentimentally inclined as I was to join them, my stomach lurched at the thought. I knew my mother only had two or three months to live and that each moment was precious but it wasn’t so precious that I had to eat something that literally smelled like vomit to me.

Then, last winter, with both my parents now dead and gone, on the anniversary of the very week that my mother had visited, my daughter pulled the remains of the oats Gran E. had left out of the back of the pantry and asked if we could make porridge.

They say you never truly grow up until your parents are gone. I had to push away a lot of grief on that day. There was no way I was going to make it for her and let her eat alone. But I made sure my serving was maxed-out on the trimmings.

Cream, brown sugar, toasted almonds, sultanas and sliced bananas.

Image

That’s how I ate it again a couple of weeks ago after the cold snap that followed the mildest of winters when, in the same week as the year before, my daughter asked if we could make porridge.

She’s a helpful kid so I let her add the ingredients and do the stirring until it starts to bubble when she hops down from her step and passes the wooden spoon to me. We then add our respective fixings and sit down to eat it together.

I suspect she got more of the Scots genes than I did as hers’ is a lot less tarted-up: just a bit of cream and a slurp of maple syrup (she is half-Canadian).

IMG_3952

While I’ve now eaten porridge at least half-a-dozen times in the last year, it’s not something I would make for myself.

Despite all the yum I try to cover it with it still has that whiff of the hospital, and whatever it was that turned my stomach.

Maybe it will change, given enough time.

14 Nov 2013

Well, I see it’s exactly 2 months since I posted this. Since then, despite the arrival of warm and summery weather, my daughter still asks for porridge, and I always eat it with her.

I can’t say I like it, but I do enjoy the fixings of almonds, banana, sultanas & cream I use to tart it up.

Yesterday, I had my first general anaesthetic since that time 41 years ago when I wandered the darkened wards looking for my mother.

This time I slept little but felt great. I read Hazlitt, listened to Game of Thrones, and awaited my breakfast, which, unsurprisingly, was porridge.

20131114-093423.jpg

Without my fixings it was a bit dubious (and totally amused) I am pretty hungry after yesterday’s fasting. I added the milk & peaches but skipped the sugar.

It was fine.

But the peaches were the best bit.

Music Is A Story

Having lived a life in music and story I am increasingly convinced that they are not separate entities but differing shades of the same thing.

Sorry Steven Pinker, music is not “cheesecake for the mind”, it is quite clearly part of what makes the mind. And to bend his metaphor for the purposes of this blog, it is not the icing on the cake; it is part of the cake. If you regard it as the former then you miss a great opportunity to nourish.

Earlier this week I watched the LCD Soundsystem documentary ‘Shut Up and Play the Hits’ which is about their farewell concert at Madison Square Gardens in 2011. It’s a great film and the band was clearly wonderful live. I knew little about them, only being familiar with their rocking wee track ‘North American Scum’.

That said, they were one of the acts that was a must-see at the 2008 Big Day Out, a concert I got tickets to but didn’t attend as my partner at the time was due to give birth to our child within the following couple of weeks. That in itself wasn’t the only reason we didn’t drive up to Auckland from Wellington to see the great line-up that included Arcade Fire, Battles, Hilltop Hoods, Dizzee Rascal and Bjork, it because on top of the immanent child we also had no place to live. And no jobs. It just seemed to be tempting fate to head into a sea of 30, 000 revellers in that situation.

But this blog isn’t about that story, nor is it a review of ‘Shut Up’. It’s about the power of the unexpected to throw a new slant on what you have just enjoyed.

I’m referring to the outro songs that often get played over the credits of a movie or TV show. More often than not they are very obvious and add little to the experience of the drama: show’s over folks, here’s a bouncy tune you all know to see you out the door with a smile on your face.

But increasingly there is an acknowledgement that punters aren’t necessarily all sheep to herded elsewhere; that credits offer a chance to play to those folks who actually read the words as they digest what has just transpired.

‘Shut Up’ is both wonderful and sad. It shows someone gaining fame, adulation and respect without asking for it, who then finds it all too much so he pulls-the-pin (this isn’t meant to be a spoiler; the film is about a farewell concert).

James Murphy, the kingpin, is the one who calls time. He’s one of those great singers and performers who struggles with his gift. The self-consciousness is as agonising to watch as is his performance is wonderful.

He needs it to end but feels great loss and wonders if he’s making a mistake. The final song ‘New York I love You, But You’re Bringing Me Down’ is amazing. I had never heard it before but it knocked my socks off, especially when viewed in the context of what it meant in this situation… being in NY and the last song they would ever play… the final part of the documentary.

It went to black and the credits rolled. It wasn’t an LCD song but one I recognized from the distant past. It took a few bars before I realized the voice singing the final track on an LP I hadn’t played since the early 80s.

“Standing in the door of the Pink Flamingo crying in the rain…” it was Marc Almond, Soft Cell c.1981 and I knew all the words.

I never really liked the song or the album but when you’re 14 and just spent $10 on a piece of vinyl you play the album to bits hoping it will take your fancy. While some the keyboard sounds on the track (and album) clearly haven’t stood the test of time often sounding like a Farfisa organ trying to be hip, the song just builds and builds and once it got to the chorus (I still knew the lyrics without knowing that I did) I understood why the track had been chosen.

Maybe James Murphy is a Soft Cell fan but there is so much about ‘Say Hello, Wave Goodbye’ that is directly relevant to the documentary and the tortured ambivalence of Murphy that what I had just seen kept opening up to further and further layers.

Afterwards, I pulled out ‘Non-Stop Erotic Cabaret’ and listened to it. Just the once. Yikes. But I have played ‘Say Hello’ every day (and sometimes several times) since I saw the movie 5 days ago. Do I think about Soft Cell? Not a lot. But I go into those lyrics (and Marc Almond’s performance) further and further.

“It was a kind of so-so love, and I’m gonna make sure it never happens again”

So apt to the movie, Murphy and the ambivalence of love.

It’s not the first time this sort of opening-up has happened to me. The other was in the first series of Girls (a brilliant, fun, clever show). I can’t remember what happened in the twisted and funny relationships but the ending was a bit of a shocker and I was dumb-founded. The screen went to black and credits started with a very retro 80s-sounding electronic track I did not know. It was either very old, or trying to sound old: cold boom-smack-boom-smack drum machine laying down an unvarying beat ‘even white folk can dance to’ (as the saying goes). The lyrics were about seeing your ex with someone else, hence why it was chosen.

It was “Dancing on My Own” by Robyn. So it wasn’t old, being from 2010, it was just trying to sound like it. I fell instantly in love with the Scandinavian coldness of the lyrics and production and it has been in my top 5 tracks ever since (“stilettos and brok-en bott-les” being my unchallenged fav lyrical image of the last year). It has gone past the dramatic moment in Girls which it was juxtaposing (I can’t even remember who it was about) and become a song of strength, resilience and defiance.

In my head, I relate these moments to the famous, infamous and (of course) outstanding final scene of The Sopranos where Journey’s ‘Don’t Stop Believing’ is played over the mundane family moments at the diner, waiting for onion rings and Meadow to park the car. Let me just say, I really don’t like Journey but I have listened to that song many, many times since. Why? Because that scene (and song) seem to encapsulate the whole 6 seasons, the hopes of the well-loved characters etc and I get to relive all that in the course of Steve Perry’s pompous bellowing and Journey’s overblown and average FM rock.

I just re-watched the scene and realised that, unlike the above, it doesn’t play over the credits. However, the credits were silent, and this was done to further the story (as opposed to ushering you out the door). What’s even more unusual about this is that there is dialogue all over the lyrics in the final scene… something which is very rare as most punters find it hard to focus. But it’s all part of the telling, and opening up, the story. Just brilliant.

I still have my ticket to the Big Day Out where LCD played. The ticket is worthless and having now seen ‘Shut Up’ I wish I had gone, despite the pressing concerns of my situation. Maybe LCD will reform after some time off and I will get to see them somewhere else.

Either way, this isn’t the end of the story.

The Means of Escape

Image

It is never a good idea to open with a declaration of love. Never. But, wow, Penelope Fitzgerald. She so good… I go goo-goo eyes reading her.

I first heard of her in a Julian Barnes collection of essays about writers called Through the Window. She sounded very cool.

She didn’t start writing till she was 63 (very appealing to someone starting writing later in life), and seemed quite the eccentric character given his anecdote about being on a writers’ panel and riding the Tube with her.

And she wasn’t short of ideas or limited in scope. All the novels he talked about were interesting and diverse, ranging across the world and time. She won the Booker Prize in 1979 for Offshore, and The Blue Flower, set in 18th century Prussia, was ‘the most-loved novel of 1995’. I so wanted to read it.

But, somehow, she was absent from my local library. How could this be? She seemed great. Indeed, The Times had her in the top 50 British novelists since 1945 and The Observer placed The Blue Flower in the top 10 historical novels of all time.

There was, however, her posthumous collection of short stories The Means of Escape available. I hadn’t read a collection of short stories in quite a number of years (a bit shameful, but I’m clearly not alone given the poor sales of collections).

But I wanted a taste.

And, wow.

It’s such a lovely, slim object crafted with care (the books and the stories). Like her novels, they take place all over the world (including New Zealand!) and go back as far as the 1600s.

The start of the story set in ye olde New Zealand.

The start of the story set in ye olde New Zealand.

I must say that I finished most of the stories going ‘what happened just then?’ but it wasn’t due to obscurity…she’s just so good she lulls you into a complacency where the real story can slip by. I read several stories more than once.

I want this book. I want to hold it and look at it, to re-engage and delve deeper into her world. I want to read these stories again and again.

To underscore how smitten I am, I read a couple of Julian Barnes short stories after I finished Fitzgerald’s collection and boy were they unsatisfying, which is significant because I’m a HUGE fan of his novels and essays.

So…what to do? TradeMe has the books new (but The Means of Escape ships from Oz). Amazon has them much cheaper, but it seems nuts getting them from across the Pacific.

Sigh.

It’s hard to be patient when you’re in love. But a hasty heart is always disappointed.

If I get through the day without buying these two books I’ll be surprised.

This love will not wait.