I’m thinking of going to see the Buzzcocks. I love their songs. Perfect tunes that sound as fresh as they did in the 1970s. I want to sing along with these legends of the punk/pop pantheon. But it’s a work night. And I’m getting old. No longer able to shake off a late night.
I used to see everything that came to town. Loved it. Loved the music, the lights, the noise, the people. Two years ago I went see Garbage. It was my first proper concert in many years. I didn’t known they were in town. Saw an ad on telly offering cheap tickets. Went along. Loved it to bits. I was never a fan but the sound was great, the band full of energy and the joy of performance.
Good Garbage Wellington
Buoyed along by the experience I went to see Neil Young and Crazy Horse a month later. I love his music. He is a major player in the rock pantheon. But the whole thing paled next to Garbage, the rock tiddlers. Neil was good but the band felt tired. Fair enough. They are getting on. Shuffling around like shadows of the past.
Neil Young & Crazy Horse Wellington
That’s why when an old friend/bandmate asked if wanted to go see The Fall recently I had to yes… but no. Back in the day Mark E. Smith could trot out compellingly crap/good performances. Now he is known to wander around the stage like a grumpy pensioner who can’t find the toilet.
Angry young man
The first proper concert I saw was Glen Campbell when I was eight. My mother took me to see him at the Christchurch Town Hall.
Bill & Boyd
Which is wonderfully young for your first proper concert. Yay for Mum. I loved it. We sat upstairs in the front row with my cousin Linda. Bill and Boyd opened the show. I knew them from telly. They were funny. Long hair and droopy moustaches. They sang ‘Put Another Log On the Fire’, which we sang at school. Women’s libbers and male chauvinist pigs. Hee hee. It was 1975.
But Glen was the star. Top of his game. Hit after hit with jokes and stories. He played along to a comical silent film of him as a cowboy. Did a great imitation of Vegas dinner-show Elvis.
The Rhinestone Cowboy
I couldn’t help singing along and was stopped many times by my mother. No photos allowed. No recordings of any kind. How things have changed.
I saw him again in 1991 as an adult at the same venue. This time sitting downstairs with rock band friends, Blair and John. It was good but I remember little. No doubt we pre-loaded in rock ‘n roll fashion. Maybe Glen had, too. He had a dark booze and cocaine period.
Last week I watched I’ll Be Me, the documentary about Glen Campbell’s final tour and descent into Alzheimer’s. I felt ambivalent about watching it. It’s a pig of a way to go. It took my father. I recognized the same coping methods my father used to deflect the condition. Jokes. Side-steps. Anger. Distress. But what raised the doco above horrorshow was watching the tour. The danger the band felt (which included three of his children) not knowing if Glen could keep it together through the song, through the set. He did. It was astounding. A full-blown Alzheimer’s causality coming alive with lights, music and applause.
Yes, he was reading the lyrics from an auto-cue, but so did Brian Wilson when I saw him 10 years ago. And Glen could shred up wonderful guitar solos when required. Didn’t need anyone to guide him through every move.
Tonight Elton John is playing here in Wellington. We’re told it’s our last time to see him. Only $99. I will be a great show. He’s a consummate performer, but doesn’t pique my interest. Yesterday I watched a video posted on Facebook of Fleetwood Mac playing in Dunedin two nights ago. They are more to my ‘see-the-gods-of-yore!’ liking. Christine McVie is with them for the first time in years.
In a couple of weeks AC/DC are here at the stadium. The Aussie pub band that done good. But so many of the members have shuffled from the stage (booze/speed/Alzheimer’s) there’s only AC (or DC?) left.
Fun for the whole family
The say all political careers end in failure. It seems to be the same with music. Hits disappear, crowds vanish. Those with commercial success are bitter the critics don’t rate them. Those with acclaim resent the lack of money. So old bands/acts are now coming to your town. It’s how they make money with record sales dead.
Last month I picked up a bass for the first time in over a decade (back when I had randomly jammed with Voom).
Buzz from Voom!
I was at my friend Mark’s 50th and we were jamming in celebration. A friend has a great band set-up, can play solid drums and snarly blues guitar. We played Sympathy for the Devil for ages and it sounded pretty darn good. Better than the Stones. Of now, not yore. It was energetic, sharp, on the edge of danger. It made me think for the first time in years that I would love to play bass again.
I haven’t played live since the late ‘90s. At the King’s Arms in Auckland. It was awful. A lounge bar on a Sunday afternoon. Two guys with guitars and a drum machine as The Letter 5. No stage to lift you above the indifferent clinking of glass.
But last month I was astonished by how good it felt playing bass with a punchy rock drummers and guitarists (there was four of us). Maybe it was the snakebites in the sun, or the cookie to top it off, but I felt like I was in my early twenties again.
Somehow I can’t imagine Pete Shelley reading his lyrics from an auto-cue. But if he needs to, that’s what comes with age, I guess. Like a big belly and thinning hair.
You tried it just the once, found it alright for kicks
But now you found out, that it’s a habit that sticks
The second time I saw Glen Campbell