This morning I woke at 4 am. Not unusual, especially on a full moon. It was so bright and my mind was active, writing narratives that will never see the light of day. It’s been a couple of long, challenging days at work with overtime and 4 hours travel each day, a situation exacerbated by the short-staffing that the health service routinely endures, further compounded by the panic that occurs when sickness and injury removes any meat from a workplace already shaved clean to the bone.

And while I tend to thrive on the adrenaline of panic (it’s how my shy character once found a comforting home on the stage), I am still only 8 months into a 2 year recovery from surgery on my ankle, and I tire easily. Yes, it’s a long recovery. If I knew it would take so long, I’m not sure I would have done it. Especially given that it’s only in the last few weeks that I could say there has been an improvement in my condition. That said, my general fitness is a lot worse than it ever was. I try not to think about it. I do exercises and stretches every day, and go for short walks, training my heel, ankle and knees to walk again. Who would have thought that shaving a 9mm spur off the ankle would have such an impact?

Given that situation, you may think I would be glad of a lie-in. But there is too much to do, and I have a mind that never rests. Often when I sleep I dream of running (something I have done all my life until Haglund’s Deformity knocked me on my arse and on to crutches). Last night I had an incredibly vivid dream where I was about to play a match with the Warriors (the only sports team I love). It felt great to be moving, running, passing the ball but I soon realised that I was about to take the field in the hardest professional Rugby League competition in the world and the Australian opposition was bound to target me. I got very, very anxious, afraid for my bones and life, waking suddenly at 1am, relieved (and a little disappointed).

Ouchie!

None of this is what got me out of bed at 4am on a day when I have no work or child to tend to. I got up because I wanted to write about my grandfather.

It is his birthday tomorrow, and, were he alive, he would be 111 years old. Crikey, that’s quite a number. Apparently, when the New Zealand cricket team is on 111 runs, the players in the shed all lift their feet off the floor to avoid losing a wicket. (I had a girlfriend once who was a great cricket fan and she always insisted we did the same. I can’t recall if it worked).

On a more personal level, my mother, my grandfather’s first daughter (who he always called ‘hen’), died on 11.11.11: Remembrance Day (as if I could forget). Once, during those impossibly short, endless months as we waited for the unthinkable, I told her she had to make it to that date. But, then, many things are said as you wait, wait, wait.

My grandfather, Sandy (the Scots shortening of Alexander), was born in 1903, and though he left Scotland in the 1920s, he never lost his sing-song Scots accent. I have, by chance, a quick snippet of it recorded 4 days before he died in 1985. I treasure those few seconds of audio.

He was a lovely, gentle man who, like most of his generation had a hard life. He married my grandmother, Flo’, in Forth in 1926 and they had my uncle, Alex (my mother’s big brother who passed in January), in the historic ironworks town of Wilsontown.

An imagining of Wisontown in its heyday

A significant player in the Industrial Revolution (the first use of coke instead of charcoal, the first hot blast form of the blast furnace) it was in decline by the mid 1800s.

Long demolished housing, Wilsontown, Scotland

My wider family worked the coal mines that remained and my grandparents and wee Alex escaped the soon-to-be demolished insanitary slum in the late 1920s, on a boat that took them to the coal mines at Dobson, on the West Coast of New Zealand, where my mother was born on the kitchen table, to the sound of my granddad’s squeaking boots. (“Will ye no stop that dreedful pacing, Sandy?!)

When I visited Wilsontown (now a Scheduled Ancient Monument) in 2000 it was beautiful, a wild field of flowers and forest with a few ruins. Annie, the elderly cousin of my mother, her husband Bill, and their daughter, Rae walked me around the ruins and I picked up a piece of slate from the place where my grandparents lived.

Annie & Bill attacked by midgies, Wilsontown 2000

Bill, in his 90s, recalled living there, pointing out the spot where, as a child, he had gone to see silent movies (!?!) They also took me to the place where my grandfather had taken my grandmother by motorbike when they were courting, impressing her not with the red Panther, but with his skill on the cornet.

When I lay in bed at 4am this morning, eyes closed, willing myself to rest, I started to grasp for a verse Bill had recited when we went to see my grandfather’s old school. They asked if I wanted to get out the car to take a photo. I didn’t. This was the pre-digital era and, unlike now, photos were rationed (more space in the backpack, more expense).

But I have the picture in my head because Bill pointed to a hill; a Marilyn (a hill of 150m) named Tinto, and recited a verse. It seemed to me that whenever a subject came up Bill would burst into a relevant song or verse. I only heard it once, but it is a much stronger image than any photo.

Tinto in Lanark (the verse is at the end of the blog)

My grandfather, ‘Sandy’ Alexander, died 4 days after my father’s 60^th birthday, his lungs drowned in fluid caused by all those years down the mines (helped on by the fags). Long-widowed he was living with us at the time, that’s why I have a (brief) recording of his wonderful voice (“like a set of bloody bagpipes”, my Uncle Alex would say). In his last week he would call out in the night, “I’m coming mother, I’m coming”. We weren’t sure if was calling to his actual mother, or to Flo’, who he missed dearly and called ‘mother’ (or ‘hen’).

Sandy had escaped the rapid decay of Scotland with his young family for the promise of New Zealand, but ended up smack-bang in the Great Depression, and WW2 Christchurch.

Sandy, ever-present rollie in mouth, Christchurch c.1930s

He worked for the railways and helped build the causeway to Sumner to provide for the ever-increasing brood of my uncles and aunties. Flo’, with my mother’s help, fed the kids and whoever else needed a feed (like a lot of the now-despised poor, they were always generous with what they had).

Sandy, Mum, Flo’, Alex and new baby Anne, Lyttleton c1930s

As a child, my mother used to sit on his knee as he taught her the old songs.

He died in my bed in the dark of night in my mother’s arms, struggling for breath as she sang him the old lullabies, one of which, Sandman Grey, I sang to my daughter when she was a restless baby.

We sang the same song with my dying mother, the last time I saw her. It was agonising saying goodbye. With Mum in one arm, my infant daughter in the other, my sisters beside me, it was the hardest day of my life. I will hear the pain in her tears forever.

But what can you do?

Life is hard. Death is harder. But amongst both, there is immeasurable beauty.

It’s a long time till I will walk with ease again, let alone run. At the moment I head to the beach whenever I can to march up and down the loose sand, working on unstable movement, gentling increasing impact and stress to my withered muscles, tendons and ligaments, helping them to get stronger.

I cannot believe my grandfather was born 111 years ago tomorrow, 2 years after the death of Queen bloody Victoria. I sometimes wonder if my relatively long roots (Antipodean pun intended) have fed my hunger for history and memoir.

I shall sing the songs and stories that made me, each verse and chorus of love, lust and loss for as long as I breathe.

But now it is light, the full moon outshone by day.

I need to head to the beach in search of loose sand to test me.

‘On Tintock tap, there is a mist,

And in that mist, there is a kist,

And in that kist, there is a cup,

And in that cup, there is a drap.

Tak’ up that cup, and drink that drap, that’s in yon kist, on Tintock tap!’