Monthly Archives: August 2015

Under the Spell

I believe in magic: the power of language, history, and story. This potent brew whipped-up a perfect storm of understanding and insight when one of my favourite podcasters featured on another of my favs the other day.

littlest_witch___halloween_spell_practice_by_brandrificus-d6qc0o2Both podcasts are in-depth histories by enthusiastic amateurs. One, an Englishman called David, spends weekends in his shed telling a wonderfully good-humoured history of England (in the summer you can hear the birds in the trees). The other is a lawyer called Kevin composing a marvellously detailed history of the English language from somewhere in South Carolina. linguistic-treeBoth have posted over 100 episodes. I have learned so much about the quirks and fun of a gripping story. I now know bits of Indo-European, Old Germanic, Old Norse, Frankish, Old English, Celtic (all which made the killer TV series Vikings more thrilling). It has been a treat to listen to these passionate enthusiasts as I painted the house and pottered away at renovations.Vikings_S02P12,_cast

So when my fav amateur language geek did a guest spot on the latest History of England episode last week (which has just made it to the end of the 100 Years’ War) I was thrilled. His topic? The word ‘spell’. Here’s the magic.

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The Indo-European languages

Spell is derived from Indo-European (the parent language of many Eurasian languages). It originally meant to recite, tell or speak. In Old Germanic it came to mean a tale, fable or saying. The Anglo-Saxons brought it to England in the 400s to refer to ‘story’, especially a good or ‘true’ story (gospel is a contraction of ‘good story’). Over the next few hundred years it slowly applied to short phrases or sayings that held special truth or magic (think how we spout short phrases as if they contain a truth or agency ‘do the crime do the time’, ‘touch wood’, ‘I do’, ‘Go Broncos!’ etc).How-to-Spell-Success

When the Normans invaded in 1066 they brought the same Germanic word via their Norse and Frankish (the Germanic founders of France) roots. Except for them spell meant to break a difficult text or idea into its parts so that it may be understood i.e. to ‘spell it out’ and reveal the truth.

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By the 1400s that meaning was refined to include breaking words down into the letters used to represent it. Dictionaries came later, and the spelling of words lost the fluidity they had always had (even the most educated people routinely varied spelling).MagicSpellBook

Today, all these meanings still exist in English. We refer to truth as gospel even in a non-religious sense. We spell things out to explain them. We break down words into letters to spell them. We talk of being under a spell (albeit of love, an idea, celebrity or charisma, as opposed to magic).

Even those who claim not to believe in magic use the idea in the old Anglo-Saxon sense, repeating phrases they believe hold a power. Think of all the hashtags amended to causes and sent out into the world. Does hash-tagging a phrase, cause, belief, or favourite sports team have a measurable effect on a physical object or outcome? It depends if you believe in magic and the power of language.

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The History of England                                                     The History of English Podcast


By George

I started blogging two years to find a way back to the joy of writing fiction. The pattern of success and rejection that writers face in their empty room had become too much, especially as life was swelling up around me with such persistence that making up stories seemed a futile dance in front of the inevitable.

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I wanted to exercise my writing muscle, clear my mind; find that joy. I found it crafting pieces I was happy enough to share with whoever cared to read them.

This year I applied for an undergrad workshop in creative non-fiction at Victoria University, using some of my blog posts as examples of my writing. They got me in, and I loved it. So much so that I applied for the short fiction workshop. I’m reading great stories; loving talking about writing with writers.

writingAfter three weeks of exercises it has become even more apparent that non-fiction and fiction are not mutually exclusive. Two of my pieces have been drawn straight from life. One has been made up. My classmates are writing a similar mix.

On Sunday I had a crack at our latest exercise, ‘Negotiating With the Dead’; an exercise reflecting on the hypothesis that writing is motivated by a fear of, and fascination with, mortality. We had to write a 1st-person piece of prose where the dead are given voice via audio technology (a phone, a computer, radio or stereo). Given my run of writing about the subject (“love your writing but less about death, please” said one comment) I wanted to make it purely fictional. And fun.

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That morning I read a wonderful story for class by George Saunders about a hapless old man trying to off himself so he doesn’t end up shitting the bed/being a bother due to Alzheimer’s. It was inspiring in its approach, and humour. It also resonated given my father’s suffering from the disease. I was party to many conversations about ‘exit-strategies’ as we waited for his undignified end.

writI decided to write a help-desk story with the voice of the operator as the only prose. As I wrote it I wasn’t sure if it was people trying to reach the dead, or the dead trying to reach the living, but once I had milked all the gags and Kafkaesque frustrations I could think of it became clear that The Helpless Desk is about a help desk for helpless ghosts.

I was very pleased with it. Even more so to have pulled it completely out of the air.

Elated, as I always am after writing, I went to bed and did something I try not to do; I checked out Facebook. An old friend had died. As I read through the tributes it became evident that it was the type of death that has begun to plague my various peer groups. I was so sad. George was a well-liked person, a true character. A lot of people were hurting across the digital ether.

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I thought back to our many conversations in our youth, when we were student-radio DJs, and live music fans; the memorable night we had to flee a massive house fire just as our private conversation was getting life-definingly interesting. WCBN_main_FM_studio,_University_of_Michigan_student_radio_stationAnd, more recently (around the time I started this blog), when in great despair about whether I would qualify to get my Haglund’s Deformity corrected, he PM-ed me regarding my bleak post-assessment status (stuck in a carpark, crying behind sunglasses… eek! Not like me to be like that, or communicate it without self-deprecating humour). It was a long message that talked about other things, conversations we had had in the past, things he had wanted to say at the time but hadn’t had the maturity or courage… it was incredibly revealing and encouraging. I was stunned and thankful; diverted from my self-absorption. Reassured that support can come from the most unexpected quarters.

Poster0015As I sat in bed on Sunday night feeling like I had failed him, I looked for that message. Was it as long and interesting as I recalled? Yes. A good 1,000+ words or more. And it was two years ago. To the day.

The co-incidence made me smile and grieve. More so having conquered an unsettled weekend wondering how I would give voice to the dead.

I wish I could be at George’s funeral tomorrow, more so at his wake. I want to be amongst my peer group from those formative years. I ache. But it is in Christchurch and I just cannot get away from Wellington. Life holds me tight as it bleeds into fiction.

In the year that surrounded the 4-month gap when my parents died 3-4 years ago, 7 people I know took their own lives. That’s a lot of pain to go around. At the time I tried hard not to look for connecting meanings and patterns, especially as they were all male and around my age. It felt like a curse I wanted shot of. How could I resolve this with having just watched both my parents struggle for life?

memory-loss-mauro-celottiI cannot be there to celebrate George’s great wit and intellect; his sensitivity, humour and life. The bouncy way he walked, the measured way he talked. But I can write this. And I can, when I feel up to it, listen to his voice on the radio shows people are sharing from Soundcloud on Facebook.

I wish he was still around. The world is a poorer place without him.

The Americans

jYQdyGu9tl75VThe Americans is an unusual type of period drama. It takes place c.1980, a time that may seem too close to now to be ‘historical’. But 35 years is a lifetime ago and The Americans is an engrossing Cold War drama that follows a pair of Russian spies embedded in Washington DC at the start of Reagan’s reign. He may be about to (arguably) take out the ‘Evil Empire’ but no one knew it at the time.

THE AMERICANS -- Trust Me -- Episode 6 (Airs Wednesday, March 6, 10:00 pm e/p) -- Pictured: (L-R) Keri Russell as Elizabeth Jennings, Matthew Rhys as Philip Jennings -- CR: Craig Blankenhorn/FX

Not your usual kitchen-sink drama

The CIA is funding the Mujahedeen in Afghanistan (thereby turning them into Al Qaeda) and the KGB is tasked to stop them. Who do you back? There are no cell-phones or internet, computers are rudimentary and wigs, alcohol and sex are as important as guns. Like a lot of American drama, it has family at its core albeit a marriage where the couple put on disguises to get close to targets, have sex with them, manipulate/blackmail and/or kill them. They then go home to look after their oblivious teenage children (who become less clueless as the story develops).

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The All-American family. Kind of…

This may seem too unreal to take, but the conceit works. This is down to very good acting and storytelling that doesn’t play it for big drama or simple laugh-at-the-‘80s-clothes/hair yuks. It is restrained and dark, shot in a beautiful palette of browns and muted colours that somehow suggests the era while keeping a contemporary coolness. The fact that it is created and produced by an ex-CIA officer probably helps, too.

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Adding to the drama, their neighbour is an FBI agent. But instead of the obvious tension this could create, it is played more like the Walter/Hank Breaking Bad dynamic where keeping enemies close is an opportunity to exploit them. Do you want the Ruskies to triumph? Well, no, they can’t… but you don’t want Stan the FBI guy to win or be humiliated, either. And by series three the KGB are trying to take down the racist South African regime that Reagan and Thatcher supports. Um…

THE AMERICANS -- "Arpanet" -- Episode 7 (Airs Wednesday, April 9, 10:00 PM e/p) -- Pictured: (L-R) Annet Mahendru as Nina Sergeevna, Lev Gorn as Arkady Ivanovich -- CR: Patrick Harbron/FX

Nina and Arkady

One of my favourite aspects is the Russian embassy controlling the spies. These parts are in Russian with English subtitles, and it’s a treat to listen to. The actors are so stylish and no one trusts anyone. For good reason. A gulag in Siberia is hanging over all their heads. Nina, the young manipulated-by-both-sides double agent, is outstandingly; hard and heart-breaking. (As a counter-point, it’s good to see Richard ‘John-Boy Walton’ Thomas as the head of the FBI… but his strength seems to be in marching from A to B barking orders).

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The FBI guys

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Philip seducing a stoned minor

With the third series it has really developed into something special. There are some outstanding scenes. It’s one thing seducing the hapless secretary of the FBI boss chasing you. It’s something else to be told to seduce and smoke pot with the wayward 15 year-old daughter of a CIA operative (especially when you have a daughter the same age). The moral complexities are delicious. There are no laughs, which is often a negative for me, but the conflicted and twisted beauty of the story has the series win awards for writing, best drama series and acting.

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The pretend couple don’t always have to pretend

For those used to traditional Tudor/Victorian/Regency historical ‘frock’ drama, this may not suit. But if you like tight, gripping storytelling and tasteful period recreation (as I do) The Americans is a must. I can’t wait for the next series.

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