Last night I went to a pub to see a band. It’s something I haven’t done in a long time. I used to be a regular in my teens and twenties in Christchurch. Thursday, Friday or Saturday. There was always something to see. Local or out of town.
Last night in Wellington was like a Christchurch gig of old. A dancefloor packed with people standing, staring at music, shuffling their feet on the sticky floor. But with no cigarette smoke in the air and a crowd like me; grey, middle-aged. Relaxed. Drinking craft beer. No aggro or thought of conquest.
It was my first time at Meow. It’s a nice venue. Quirky.
As I walked in John, the old friend I had come to see, shook my hand and apologised as he had to ready his cello to guest with The Bats. I had forgotten the nervousness of pre-gig organising. When I played music I used to leave the venue and march the streets until the last moment. Or share a spliff.
I went to the gig with my old school friend, Damian. We played in a noisy band called Swim Everything in the ‘90s. It was good to catch up. Talk about kids and getting old. His knees recently stopped working after a ski trip with his daughter. He reckons the change in the body from 50 to 60 is the same as from 10 to 20, but in reverse.
The Bats were the same as ever. But older. They’re the nicest people and were very supportive of my first school band, All Fall Down. Flying Nun folk are generally pretty amiable. It’s nearly 30 years since I saw them live (except on the telly at that gig after the first Earthquake).
It wasn’t too loud, either, but I still stuffed in ear plugs half way through the first song. I have such bad tinnitus that I constantly feel like the side of my head has just received an unexpected whack. Rock n roll.
It finished dead on 11pm (no sirens or flashing lights to shoo us out like the old days) and I caught up with Ruth who managed the student radio station I DJ-ed at in the ‘80s. She was featured in an exhibition at Canterbury Museum last year celebrating 40 years of RDU. Literally a museum piece (I didn’t point that out). I asked Hayden, a muso acquaintance, if he still played music. He laughed and said he just watches TV. I also said gidday to another old muso (name withheld) who runs New Zealand’s spy agency. Funny the connections that weave through a life. Five Eyes everywhere. Watching, accumulating. Leaking. I resisted giving a secret handshake.
As I dropped Damian home he said he’d send me a link to the loops he’s put up on Soundcloud. He is very pleased with them. I said sure, and awkwardly mentioned that his mother had a good raunchy poem in a collection of erotic writing I had failed to get a piece into. He laughed and said she had a play produced last week. She was stunned by the effort, tears and despair required. Surprised how it nevertheless came together on the night. I said there’s nothing harder, and more intimidating, than putting on a play. That a script isn’t like a song or a recipe. The same script never bakes the same cake.
As I write this a script has turned up for a play I’m going to audition for. The thought fills me with excitement. And dread.
“The night is dark and full of terrors, old man, but the fire burns them away.”
A polar front, full of snow, is approaching New Zealand from the Antarctic. I need to get in the ceiling and sort out the insulation I shifted to fix a leak last spring.
Writing, music, theatre. I do not know what draws me to them, when a fire offers such comfort. Too old to be young and stupid I stumble onwards into the night.